Many good elements for this interpretation from Northern Theatre group.
A sterling cast selected for their ability.
Frankstein presence was rather minimal, not sure whether that was to suggest he could be a figament of imagination. Some of Frankenstein dialogue was hard to decipher therefore minimal presence was not issue.
Some good dialogue in scenes from other menus.
A metallic background helped to create a eerie feeling.
To paraphrase a line that got a titter from the audience for it’s topical nature “Europe is rather annoyed at the moment, annoyed at itself”
The elements did not quite come together to be something outstanding but it was highly watchable.
A story set on a wedding day where the bride is not centre stage in fact is only on stage for 2minutes at the end of the show. It is the Mother of the Groom that is the centre. She has retreated to the attic on her son’s wedding day wearing her wedding outfit; but would she really have clambered up to the attic in heels? She is feeling unsettled as the wedding marks her son leaving home and moving to Milton Keynes where his bride has a new job, leaving her with her husband who she feels she is not appreciated by.
An initial monologue by the Mum played ably by Liza Goddard is interrupted by first her son (again strong acting) and then her husband.
The dialogue as you would expect for dialogue written by Kay Mellor is amusing. The second half becomes, not wishing to spoil it, less static. Not a deep play but an enjoyable light hearted 95minutes with interval entertainment.
After being shortlisted for city of culture for 2013 which made the council aware of the finicial burdens of hosting such an event then Sheffield will not be bidding for city of culture in 2021. The benefits of being a city of culture for a year; have not yet been realised. Sheffield may not be a city tourists think to visit but it does have lots of culture to offer. I have a couple of German colleagues who even after working in Sheffield for 9 months and a year respectively, Still loved it enough to return for trips. Perhaps as Sheffield is so close to Hull, it is unlikely even if bided for 2021 city of culture to win.
I can keep adding to this list but these are the cultural assets I can think of. What have I missed?
The elephants prove we can host big, city wide art events. With varied places to display large scale arts from city centre locations like Winter Gardens, Peace Square to spaces further out of the city; Endcliffe park, Graves Park, Hillsborugh walled garden.
Lantern theatre; a small quirky Victorian theatre in Netheredge who offer similar quirky offerings
Tramlines which features multiple music venues throughout the city; many free.
In 2016 cliffhanger included a music stage on Devonshire green.
Jazz at the Lyceum monthly
Music stage at Heeley festival where you get the authentic festival experience of sitting on the grass.
Carol singing at various pubs November and December. Featuring Sheffield’s traditional carols that are not known outside Sheffield.
Chorus and semi chorus concerts. Next Chorus concert at the city hall featuring the community choir of over 200 is on 2nd April 2017 and features songs from films.
Once a month a folk train leaves Sheffield station to travel to Edale. On one of these nights we spotted Sheffield born Jarvis Cocker in the beer garden. Music is also played on the train.
Showroom shows some main steam films and some quirkier films.
Curzon never been as seems expensive but shows some less mainstream films like showroom.
Many are not keen with Odeon, it is not grand but I have found it adequate to watch films in.
Centertainment, large multplex which shows all the blockbusters and some Bollywood films.
The winter gardens is a great venue where local art groups sometimes show their pictures, mobiles can be hung from the ceiling and sculptures placed within the foliage; for example the Arctic Monkey elephant now lives here and some of the mini elephant herd lived here during summer 2016.
In 3rd place: Relatively Speaking: hilarious!
In 2nd place: The Nap: Easily capturing the atmosphere of Sheffield theatre as performed at the Crucible.
In 1st place: Great Gatesby. Meaning the deli theatre moves up from honourable mention last year!
Top 3 theatrical performance of 2015 (in no particular order): Blasted (Sarah Kane), Curious Incident of Dog in nighttime and The Effect. Honourable mention to Woolworth’s pick of mix …spending evening in old Sheffield Woolworth’s reminiscing about all Woolworth’s of my youth, winning pass the parcel and reading an e-mail to the rest of the audience and going home with pick and mix 🙂
Review of the Great Gatsby
21.12.16 Moor Deli Theatre
Go once, go twice, go three times; each time you can be assured of a fabulous unique experience. Or go with friends and do not worry about getting split up following different cast members; just join back up later to discuss different experiences. From walking in and ordering a cocktail , it is easy to get into the party atmosphere. Despite entering through a previously unnoticed door next to Superdrug and ascended up to a room within ex Woolworths with peeling paint. Whether alone or in a group the actors, play a host role mingling with the audience. A typical interaction could start with ‘Fabulous dress, did you buy it in Paris?’ (which is also good for the audience ego after taking the time to dress in 1920s style). The audience are naturally directed, into various rooms with prompts such as ‘Let’s go and dance though here’. Or when Daisy needs to change; ‘Come with me to help me decide what to wear’. Despite the volume of onlookers in the intimate setting of the dressing room, complete with dressing table and a selection of 1920S dresses, the convincing performance of Daisy ensured the intimate atmosphere was not lost.
All the cast despite having to maintain their characters for over 2 hours coped admirably in their roles. Including dealing with audience members, who inspired by the acting decided to build their characters or throw in lines to build their own sub plot; when there was enough action within the actual performance or dancing to do or; without need for more drama. The cast also coped with the anarchistic use of phones to capture the costumes of the cast and other members of the audience which provided scope for the typical party conversations; look at her dress etc..
For an amazing 1920S party, fabulous cast and thoroughly enjoyable evening a well-deserved 5 stars.